Of course, Rosalía’s appearance is particularly significant due to the usual navel-gazing nature of Anglophile music rankings: the Catalan’s album is the only non-English language one in the top 25. There it held a more modest position, 315, on a list headed by Marvin Gaye’s What’s Going On, which also happens to be a concept work but only just scrapes into the top 20 of Rolling Stone’s greatest concept albums. El Mal Querer also had another moment of prominence in another Rolling Stone ranking: the 500 best albums of all time. ![]() The introduction to the piece specifies “to make it high on the list an album had to be both conceptually tight and musically awesome, which is why a few classic albums with relatively loose thematic conceits didn’t end up higher.” The conceptual argument of El Mal Querer is, without a doubt, solid: it is based on a 13th century novel about the toxic relationship of two lovers, in which the woman finally frees herself from the man’s abuse. The fine print goes some way to explaining this. El Mal Querer (2018), the second album by Catalan singer Rosalía, appears at number ten. Which albums are considered better than them? This is where the modern tweaks come in and the indignation of purists is piqued. This trio of seminal works features in Rolling Stone’s recent ranking: The Wall at number three, Tommy, at five, and Sgt. ![]() Very briefly: Pink Floyd’s work is about a rock star driven mad by his ego The Beatles’ composition presents a fictitious band with the aim of musically experimenting beyond the real John, Paul, George and Ringo, and The Who’s rock opera details the stages of a deaf, dumb and blind young man who lives a life marked by drugs, sexual abuse and messianism. Pepper’s Lonely Hearts Club Band (1967) and Tommy (1969). Pepper’s fails to make top 10Įvery connoisseur can name the three most iconic concept albums in history: The Wall (1979), Sgt. ![]() The cover of Pink Floyd’s album 'The Wall.’ Sgt. On this occasion only 16 voters voiced their opinion and the results have not resulted in universal consensus. All members of the musical sphere participated in the process: singers, instrumentalists, producers, composers, industry personnel and journalists. Perhaps the most outstanding achievement of the magazine’s rankings history was the 500 best songs in history, voted on by 250 people and updated in September 2021 from the original 2004 list. The publication has found a current hook in Midnights, Taylor Swift’s new work, which will be released on October 21 and promises to be a conceptual work: the stories of 13 sleepless nights scattered over the American singer’s 32 years of life. The golden years of this genre were the late 1960s and early 1970s, the zenith of rock-and-roll. A concept album refers to a collection of songs with a common plot thread, as close to a novel as a pop or rock recording can get. The magazine’s lists are one of its most famous features and the latest one is titled The 50 Greatest Concept Albums of All Time. Penske Business Media, the new owners of Rolling Stone, are trying to keep the ship afloat by retaining brand identity while adding appeal for the online generation. Rolling Stone is no longer what it was: to save itself from the shipwreck caused by the digital boom, Jann Wenner, who founded this rock counterculture institution in 1967, was forced to sell most of the shares to a company specializing in making digital products profitable. ![]() Rolling Stone magazine has just launched one such list, once received with reverence but today regarded as frivolous. Songs by their favorite artists no longer appear among the most-listened to on digital platforms, and they have lost their standing in another field that was once their undisputed domain: historical album lists.
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